PhotoBlog

This site also documents my return to photography, one image a day, one story at a time.

365, Photography John Rowell 365, Photography John Rowell

148/365 (28/05)

Between the Shelves: Framed by books, screens, and the clutter of daily work, a quiet moment of reflection emerges. Less a formal portrait than an observation of thought.

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365, Photography John Rowell 365, Photography John Rowell

147/365 (27/05)

Close Enough: Our dog lunges for the tennis ball! Shot low to the floor with the same vintage CZJ lens, the portrait turns an ordinary moment into something intimate and slightly uneasy. The soft rendering and shallow focus draw attention to the dog’s eyes and posture, giving the frame a raw, tactile closeness that modern lenses often smooth away.

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365, Photography John Rowell 365, Photography John Rowell

146/365 (26/05)

Green Drift: A single stem cuts softly through a wash of luminous green, dissolving into circles of light and blur. Shot with the imperfect Carl Zeiss Jena lens, the image leans fully into its vintage character, dreamlike focus, gentle rendering, and an almost painterly softness that feels closer to memory than observation.

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365, Photography John Rowell 365, Photography John Rowell

145/365 (25/05)

Dreams in the Canopy: Perched high among the branches, the scene feels suspended between childhood and fairy tale. Shot with a worn Carl Zeiss Jena 35mm f/2.4 whose shifted element creates a natural tilt-shift effect, the image drifts into softness at the edge of the frame, giving the woodland moment a dreamlike, almost remembered quality.

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365, Photography John Rowell 365, Photography John Rowell

144/365 (24/05)

Vine Illusion: What first appears to be twisted woodland branches is, in fact, a macro study of a bunch of grapes. Shot with a reversed Pentacon 50mm f/1.8, the image transforms texture and form into something abstract and almost surreal, blurring the line between plant detail and imagined landscape.

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365, Photography John Rowell 365, Photography John Rowell

143/365 (23/05)

Quiet Focus (Eurasian Nuthatch): Resting low along a branch in sharp monochrome contrast, the nuthatch becomes a study in line, posture, and intent. The surrounding blur isolates the bird into a moment of complete stillness.

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365, Photography John Rowell 365, Photography John Rowell

142/365 (22/05)

Small Worlds: Half-hidden beneath a washing basket, Elo’s hand reaches into an imagined world shared with scattered toys and soft companions. The grainy monochrome gives the moment the feeling of memory rather than documentation.

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365, Photography John Rowell 365, Photography John Rowell

141/365 (21/05)

Balance of Light (Blue Tit): Perched delicately atop a sphere, the blue tit appears suspended in darkness and light. Minimal and graphic, the image leans into negative space and fragile equilibrium.

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365, Photography John Rowell 365, Photography John Rowell

140/365 (20/05)

Hidden Between Worlds (Mediterranean House Gecko): Pressed silently between weathered wooden boards, the gecko becomes part of the texture itself. The monochrome treatment draws attention to age, pattern, and the quiet presence hidden in forgotten spaces.

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365, Photography John Rowell 365, Photography John Rowell

139/365 (19/05)

Morning Watch (Great Tit): Perched in clean morning light against deep green tones, the great tit pauses in quiet alertness. The simple composition gives space to colour, form, and the fragile calm of an ordinary woodland moment.

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