PhotoBlog

This site also documents my return to photography, one image a day, one story at a time.

65/365 (06/03)
365, Photography John Rowell 365, Photography John Rowell

65/365 (06/03)

An exercise in creative isolation: A Mute Swan (Cygnus olor) captured during a moment of quiet grace. In the field, the original background was cluttered and distracting, far from the elegant scene I felt I was witnessing. As part of my 365 goal to re-learn the balance of post-processing, I decided to lean into an "art shot" approach by dropping the background entirely to black. This allows the viewer to see what I wanted to see: the striking contrast of the white plumage, the vibrant orange of the beak, and the delicate textures of the feathers. It is less a "record" of a location and more a study of form and light, leaning into the creative license that editing affords when the environment doesn't cooperate.

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64/365 (05/03)
365, Photography John Rowell 365, Photography John Rowell

64/365 (05/03)

A fleeting detour on the morning cycle: Most mornings, my cycle into work takes me past this stream bed while it sits bone dry. Today was different; recent rains brought it to life, transforming the quiet gully into a series of energetic cascades. This 365 project has truly opened my eyes to the beauty hidden just meters away from my usual routes. It isn't a "fantastic" shot, but as I’ve learned, the goal isn't a masterpiece every day, it’s about the discipline of looking and recording the story of the day, one frame at a time. I love how the water catches the light as it tumbles over the mossy limestone, providing a temporary, melodic soundtrack to an otherwise routine commute.

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63/365 (04/03)
365, Photography John Rowell 365, Photography John Rowell

63/365 (04/03)

Rediscovering the view from my doorstep: A Eurasian Collared-Dove (Streptopelia decaocto) perched on a pine branch just meters from my back door. This is very much a "record shot," but the 365 project is doing exactly what I hoped: opening my eyes to the incredible variety of birdlife in my immediate surroundings. Not every day produces a masterpiece, and this frame is a reminder that managing expectations is part of the process. While the highlights in the canopy are a bit blown and the framing is tight, capturing the sharp detail in the eye and the rugged texture of the bark is enough to mark the day.

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62/365 (03/03)
365, Photography John Rowell 365, Photography John Rowell

62/365 (03/03)

A Great Cormorant in transitional plumage: A Great Cormorant (Phalacrocorax carbo) finds a perfect, skeletal perch just above the water's surface. In the soft, warm light of the late afternoon, the bird’s breeding plumage—marked by the distinct white feathers around the head and neck—stands out against the deep, dark tones of its wings. I love the quiet symmetry created by its reflection in the mirror-like water, which bridges the gap between the organic, tangled lines of the submerged branches and the soft, high-key wash of the background reeds. It’s a study in stillness and patience, capturing that brief moment of rest before the evening hunt begins.

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61/365 (02/03)
365, Photography John Rowell 365, Photography John Rowell

61/365 (02/03)

The silent watchman of the breakwater: The low-angled sun transforms the sea into a shimmering pathway, cutting through the shadows of a heavy, dramatic sky. The green-topped lighthouse at the entrance to the port provides a grounding, geometric silhouette against the vast, golden expanse. I love the contrast between the fluid, shimmering textures of the Mediterranean and the solid, unmoving presence of the stone wall reaching out into the deep.

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60/365 (01/03)
365, Photography John Rowell 365, Photography John Rowell

60/365 (01/03)

Camouflage in the Garden: A Short-toed Treecreeper (Certhia brachydactyla) makes its way up a lichen-covered trunk in Valbonne. Having returned from the high-altitude slopes of Auron, it is wonderful to be back observing the subtle details of the local wildlife closer to home. These birds are master mimics of the bark they inhabit, and I particularly like this frame because of the way the subject is framed by the textured branches. It required a fair bit of patience to catch it in a clear gap between the foliage, as they are notoriously ‘fleety’ and quick to vanish around the back of the tree.

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59/365 (28/02)
365, Photography John Rowell 365, Photography John Rowell

59/365 (28/02)

Gold in the Larch: I have been chasing a decent photograph of this European Goldfinch (Carduelis carduelis) all week, but they are notoriously small, fleet, and usually stay tucked deep within the canopy. As I spent the vast majority of my time snowboarding with my family and not primarily photographing, I only had fleeting windows to try and catch one in the open. Despite shooting up and not in a great pose, I particularly like this frame because of the way the larch branches naturally encircle the subject, providing a rustic, geometric window into its world. It was a rewarding way to cap off the week's observations in Auron.

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